On the unbound book: academic publishing in the age of the infinite archive

“Developments in electronic publishing contain at least the potential for us to perceive the book as something that is not completely fixed, stable and unified, with definite limits and clear material edges, but as liquid and living, open to being continually and collaboratively written, edited, annotated, critiqued, updated, shared, supplemented, revised, re-ordered, reiterated and reimagined. So much so that, as some have indeed suggested, perhaps soon we will no longer call such things books at all, e- or otherwise.”

Hall, G. (2013) On the unbound book: academic publishing in the age of the infinite archive. Journal of Visual Culture, volume 12 (3): 490-507 [pdf online] Available from https://curve.coventry.ac.uk/open/items/42c3c4f2-c91d-4eb2-a25d-9e1391bc15a4/1/ [Accessed April 2014]

View original context in the Jonathan Shaw encounter.

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Welcome to the NEWFOTOSCAPES.

Terminology

Catalyst
The impetus for the NEWFOTOSCAPES encounters, Catalysts are the present questions that occupy each collaborator, having guided their current thinking, research and practice. Catalysts can be filtered by theme allowing the community to navigate through and across each encounter, encouraging intersections of contextual relevance.

Encounter
Pre-publication curated transcripts resulting from each discussion with the NEWFOTOSCAPES collaborators. Encounters can be explored directly or via Catalysts and Antennae.

Antennae
Where might the ideas and questions raised during the NEWFOTOSCAPES encounters lead us in terms of a future artistic and professional practice, what further questions might arise and how might we continue these conversations?

Find out more about NEWFOTOSCAPES here.

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