All posts in ecologies

15 Posts

Here Press

‘Here Press’ is an independent publisher founded in 2011 by Harry Hardie and Ben Weaver dedicated to exploring the use of documentary photography in book form.

[online] Available from <http://www.herepress.org> [Accessed April 2014]

View original context in the Dewi Lewis encounter.

Photography Changes Everything: Blog Post

Francis Hodgson contemplates the Marvin Heiferman edited essay collection ‘Photography Changes Everything’. February 2013

[online] Available from
<http://francishodgson.com/2013/02/20/photography-changes-everything/> [Accessed April 2014]

View original context in the Francis Hodgson encounter.

Photography Changes Everything

“Photography Changes Everything—drawn from the online Smithsonian Photography Initiative—offers a provocative rethinking of photography’s impact on our culture and our lives. It is a reader-friendly exploration of the many ways photographs package information and values, demand and hold attention, and shape our knowledge of and experience in the world.”

Heiferman, M. 2012. Photography Changes Everything.
New York: Aperture. Available to buy [online]
<http://www.aperture.org/shop/books/photography-changes-everything-book >[Accessed April 2014]

View original context in the Francis Hodgson encounter.

We’re All Editors

“I’m a critic of photography, and have been for more years than it is polite to recall. I should have (in fact I probably do have) a set of perfectly cogent litmus-tests which I apply to photographs.”

Hodgson, F.17 March 2014. Photoworks. We’re All Editors [online] Available from
<http://photoworks.org.uk/editors-francis-hodgson/>[Accessed April 2014]

View original context in the Francis Hodgson encounter.

Flakphoto

Flak Photo is an online photography channel that presents the work of artists, curators, bookmakers and photo organisations to a global audience of people who are passionate about visual culture.

Adams. Andy.  2013. Partnering with artists to promote their work online. Flakphoto. [online] Available from
<http://flakphoto.com/about> [Accessed 03 October 2013]

View original context in the Andy Adams encounter.

Artist Network. Publications, Fees and Payments

In 2004, Artist Network commissioned a team of experts from University of Newcastle to undertake a research study into current context, attitudes and approaches to paying artists for their skills and services.

Artist Network. Publications, Fees and Payments. [online] Available from
<http://www.a-n.co.uk/publications/article/193995>[Accessed April 2014]

View original context in the Donal Curtin and Nathaniel Pitt encounter.

Global Transmedia MOOCs

Howard Rheingold “Global Transmedia MOOCs. Virtual community pioneer Howard Rheingold interviews educator Jonathan Shaw about his groundbreaking experiments in online, collaborative learning in the arts.”

Rheingold, Howard. August 2012. DML Central.
Global Transmedia MOOCs [online] Available from
<http://dmlcentral.net/blog/howard-rheingold/global-transmedia-moocs > [Accessed April 2014]

View original context in the Jonathan Shaw encounter.

British Journal of Photography: Concerns mount over Getty Images’ free-for-all

“Representative organisations around the world, including the American Society of Media Photographers and the National Press Photographers Association in the US, have condemned Getty Images’ decision to offer 35 million images at no cost for all non-commercial uses”

Laurent, Olivier. March 2014. British Journal of Photography.
Concerns mount over Getty Images’ free-for-all [online] Available from
<http://www.bjp-online.com/2014/03/industry-concerned-about-getty-images-free-for-all-approach/ > [Accessed April 2014]

View original context in the Jonathan Shaw encounter.

Post of Report and findings of World Press Multimedia Research Project

“I was research director for the project, which ran from July 2012 to April 2013 and was conducted under the auspices of the World Press Photo Academy. The project reviewed the global emergence and development of multimedia in visual storytelling, especially photojournalism. The final report – Visual Storytelling in the Age of Post-Industrial Journalism – was presented at a lecture in Amsterdam on 25 April 2013.” (Campbell, D)

Campbell. David. World Press Photo Multimedia Research. [online] Available From
<http://www.david-campbell.org/multimedia/world-press-photo-multimedia-research/>  [Accessed April 2013]

View original context in the David Campbell encounter.

Photojournalism in the New Media Economy

This ‘back catalogue’ post helpfully identifies a number of key themes from what David published over the last couple of years, pulling together posts and articles that deal with each theme.

Campbell, David. 2011. David Campbell. “Photojournalism in the New Media Economy”[online] Available from
<http://www.david-campbell.org/2011/04/08/the-back-catalogue-photojournalism-in-the-new-media-economy/> [Accessed April 2014]

View original context in the David Campbell encounter.

‘A Life More Photographic’

“Recent changes in the production, distribution, consumption and storage of images caused by the merging of photography with the Internet have had a notable effect on varied and diverse social and cultural processes and institutions”

Rubinstein, Daniel and Sluis, Katrina (2008) ‘A LIFE MORE PHOTOGRAPHIC’, Photographies, 1:1, 9 – 28 To link to this article: DOI: 10.1080/17540760701785842 [online] Available from
<http://dx.doi.org/10.1080/17540760701785842> [Accessed 11 November 2013.]

Online PDF also avalible from
<http://philpapers.org/archive/RUBLMP>
[Accessed 11 November 2013.]

View original context in the Katrina Sluis conversation.

Is Photography Over?

“SFMOMA has been collecting and exhibiting photographs since the museum’s founding in 1935 and is dedicated to the examination of the medium in all its forms. A major symposium on the current state of the field, held at SFMOMA in April 2010.”

Videos & Transcrips From the SFMOMA Is Photography over Confrence 2010
SFMOMA. 2013. Is Photography Over? Overview. [online] Available From
http://www.sfmoma.org/about/research_projects/research_projects_photography_over [Accessed 30 October 2013]

View original context in the Charlotte Cotton conversation.

The Photobook Review: Editors Note

“My aims for this issue of The PhotoBook Review: to be pluralistic in its approach to the photobook and not merely to propose a checklist for a collectible canon of this essential form of photography.”

Aperture. 2013. The Photobook Review Editors Note. [online] Available From
<http://www.aperture.org/pbr/pbr004-editors-note/> [Accessed 04 November 2013]

View original context in the Charlotte Cotton conversation.

Either/And

“Either/And has been devised as a framework within which to debate and share perspectives, using issues and questions posed by the National Media Museum and its partners as the catalyst for discussion and exchange relating to media. A series of commissioned essays, interviews, images and films will be published on the site to serve as the catalyst for online public discussion.”

Either/And. 03 September 2012. Either/And: An Introduction [online] Available From
<http://eitherand.org/eitherand/eitherand-ben-burbridge-and-charlotte-cotton-conve/>[Accessed 03 March 2014]

Index of the texts featured on the Either/And project website
Either/And. 2012. Index [online] Available From
<http://eitherand.org/> [Accessed 30 October 2013]

View original context in the Charlotte Cotton conversation.

Words Without Pictures

Words Without Pictures was conceived of by curator Charlotte Cotton and artist Alex Klein to create spaces for thoughtful discourse around current issues in photography.” 

Aperture. 2013. Shop, Books, Words Without Pictures. [online] Available From
<http://www.aperture.org/shop/books/words-with-out-pictures-book> [Accessed 30 October 2013]

Educational PDF:
http://www.albany.edu/faculty/dgoodwin/shared_resources/WordsWithoutPictures.pdf [Accessed Apri 2014]

View original context in the Charlotte Cotton conversation.

Welcome to the NEWFOTOSCAPES.

Terminology

Catalyst
The impetus for the NEWFOTOSCAPES encounters, Catalysts are the present questions that occupy each collaborator, having guided their current thinking, research and practice. Catalysts can be filtered by theme allowing the community to navigate through and across each encounter, encouraging intersections of contextual relevance.

Encounter
Pre-publication curated transcripts resulting from each discussion with the NEWFOTOSCAPES collaborators. Encounters can be explored directly or via Catalysts and Antennae.

Antennae
Where might the ideas and questions raised during the NEWFOTOSCAPES encounters lead us in terms of a future artistic and professional practice, what further questions might arise and how might we continue these conversations?

Find out more about NEWFOTOSCAPES here.

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