All posts in Mishka Henner

7 Posts

Sarah James  ‘Precious Commodities’ exhibition review

Sarah James reviews Mishka Henner’s ‘Precious Commodities’ exhibition at Open Eye Gallery. Frieze Issue 156, June-August 2013

James, Sarah. (August 2013) Mishka Henner. Frieze Magazine. [online] Available From
<https://www.frieze.com/issue/review/mishka-henner/> [Accessed 17 November 2013]

View original context in the Mishka Henner encounter.

Precious Commodities

Mishka Henner: Precious Commodities, 2 MAR 2013 – 29 APRIL 2013 Open Eye Gallery, Liverpool, UK.

Open Eye. (2013) Mishka Henner – Precious Commodities. Open Eye Gallery [online] Available From
<http://www.openeye.org.uk/main-exhibition/mishka-henner/ > [Accessed 17 November 2013]

View original context in the Mishka Henner encounter.

Astronomical

Astronomical, 2011, Our solar system in twelve volumes. The width of each page is a million kilometres. On page 1 the Sun, on page 6,000 Pluto.

Henner. Mishka. (2013). Astronomical [online] Available From
<http://www.mishkahenner.com/Astronomical>  [Accessed 15 November 2013]

View original context in the Mishka Henner encounter.

Less Américains

Less Américains, a remake of Robert Frank’s classic photobook, The Americans, erasing the old to make something new.

Henner, Mishka. (2013) Less Americains. [online] Available From
<http://www.mishkahenner.com/Less-Americains>  [Accessed 15 November 2013]

View original context in the Mishka Henner encounter.

Deutsche Börsche Photography Prize

Deutsche Börsche Photography Prize was established in 1996, each year the Prize has celebrated the best in photography, whether a publication or exhibition.

“Although he trained as a documentary photographer, Mishka Henner has moved farther and farther away from the idea of ‘taking’ a picture. The project for which he has been nominated for this year’s Deutsche Börse Photography Prize, titled No Man’s Land, is a survey of prostitution sites in Spain and Italy made using images found on Google Street View” (Lucy Davies Writing about Miska Henner’s Nomination for The Telegraph)

Davies, Lucy. (2013) Deutsche Borse Photography Prize: Mishka Henner. Telegraph. [online] Available From
<http://www.telegraph.co.uk/culture/photography/9984841/Deutsche-Borse-Photography-Prize-Mishka-Henner.html>  [Accessed 15 November 2013]

View original context in the Mishka Henner encounter.

Source Code

“The United States Intelligence Community (IC) is a federation of separate United States government agencies that work separately and together to conduct intelligence activities considered necessary for the conduct of foreign relations and national security of the United States. Member organizations of the IC include intelligence agencies, military intelligence, and civilian intelligence and analysis offices within federal executive departments. The IC is led by the Director of National Intelligence, who reports to the President of the United States.”

[online] Available From
<http://www.mishkahenner.com/filter/bookshop/Source-Code-11> [Accessed April 2014]

View original context in the Mishka Henner encounter.

Photography Is

Photography Is presents more than 3,000 phrases that define one of the most democratic and ubiquitous of all art forms.

Henner, Mishka. (2010) Photography Is. [available online]
<http://www.mishkahenner.com/Photography-Is> [Accessed 15 November 2013]

View original context in the Mishka Henner encounter.

Welcome to the NEWFOTOSCAPES.

Terminology

Catalyst
The impetus for the NEWFOTOSCAPES encounters, Catalysts are the present questions that occupy each collaborator, having guided their current thinking, research and practice. Catalysts can be filtered by theme allowing the community to navigate through and across each encounter, encouraging intersections of contextual relevance.

Encounter
Pre-publication curated transcripts resulting from each discussion with the NEWFOTOSCAPES collaborators. Encounters can be explored directly or via Catalysts and Antennae.

Antennae
Where might the ideas and questions raised during the NEWFOTOSCAPES encounters lead us in terms of a future artistic and professional practice, what further questions might arise and how might we continue these conversations?

Find out more about NEWFOTOSCAPES here.

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